Congratulations
(and free lessons!) to the winners of Spring Quarter essay contest!
First
Prize, a full quarter of free lessons, goes to Kim Lloyd,
who wrote that the sacrifice of driving 45 minutes each way to fiddle
lessons with Shannon Hamblen was worth
it, and how the lessons were inspirational to her son.
Second
Prize, 6 free lessons, went to Diane Dykas, whose daughters
Jana and Jaris are piano students of Rudolph Nemeth,
and who also won the top prizes in the Student Essay contest, worth
$50 and $30! Third Prize, 4 free lessons, was awarded to Julie
Colburn, whose daughter studies piano with Edward
Pierce.
Fourth
Prize tied between two entries, and the judges decided to award both
2 free lessons.
One was
from Marcella Russell, whose son studies piano with
Edward Pierce and daughter studies voice with Lisa
Griggs; and the other from Kay Autrey, whose son
studies cello with Li Ting Sankey.
We’re
really pleased to announce that Steven Ward
has joined our faculty.
With a Bachelor’s degree in Special Education, from Appalachian
State University in Boone, North Carolina, together with a Master’s
degree in Counseling, Ward is well experienced in teaching. He studied
piano for many years, giving him a good background in the structure
of music.
Ward
started playing the guitar in his teens. He reports that the song which
inspired him was "House of the Rising Sun," and, without guidance
from an instructor, it took him weeks to learn the piece by ear. He
admits he had to listen to it many times in order to get all the notes.
After
that experience, he started picking up a larger repertory, all of it
by ear. He reports that John Denver’s music was a big influence
on his playing and his enthusiasm for guitar.
Like many teenage
would-be guitarists, Ward admits to having been impatient with guitar
instruction. "After my first lesson I was really frustrated,"
he reports. "I wanted to play, but it felt like the teacher spent
all our time showing me the names of the strings. I didn’t care
if that was an ‘e’ string! I just wanted to play!"
He came to realize
that if you want to be a great performer, you have to begin with basics.
This has shaped his approach to teaching. "In addition to picking
out tunes, learning chord progressions is very important. I can sympathize
with young people who want to jump ahead to the ‘fun’ stuff,"
he says, adding that he does his best to shape the instruction around
the student’s main goals and interests.
Emphasizing that
he wants to focus his teaching on beginners, he says "Yes, you
really do have to know what an ‘e’ string is, but from there,
you can learn finger picking, strumming, rhythm. Learning chord progressions
is a very basic thing, but it’s also very rewarding when you can
start filling out a song with harmony."
Ward continues,
"When I have a beginning student, I like to think back to when
I was learning. I can give students some information that can shorten
the time it might take them to learn, certainly shorter than it took
me!"
Smiling broadly,
Ward says "I like beginners. Often they don’t know what they
want, other than to be a rock star. I tell them that they can have that
goal, but first they have to learn at least the basics."
He feels that the
style of music is secondary to learning the basics. “Once you
learn the fundamentals, you can head in any direction you want,"
he points out. "Various styles all have the same basic needs. For
example, Chords. We can start with that, and when that comes easily,
I can show students how to transpose the music from one key to another."
Ward’s
specialty includes many styles, including Folk, Country, Gospel and
Blues. He’s written a number of songs in all those styles, and
will gladly help his students compose their own pieces.
Ward
has recently taught at an "after school" school on Martin
Luther King Boulevard in Knoxville, called Lady Ladd’s, a place
for youngsters to come after school and learn a variety of things, such
as computer skills, drums, karate or keyboard . According to the director,
Mrs. Andrews, Ward was a well-liked teacher who got along excellently
with a big variety of students and their needs and problems.
If you can play
a Clementi Sonata or Bach Invention, you might be interested in the
“Pipe Organ Encounter” on June 15 through 21 at UT.
Sponsored by the
American Guild of Organists, it’s a week-long event designed to
introduce students ages thirteen to nineteen to the world of the pipe
organ. Previous organ experience is not necessary.
Registration
fee is $325 and covers tuition, daily private and group lessons, materials,
local transportation, room and board at UT and lots more. If you’re
interested, call Wanda Parks at 865-482-6489.